- Nicolai Howalt
- published by: Fabrik Books
- year: 2019
- designed by: Rasmus Koch Studio
- printet by: Narayana Press.
- format: 16.6 x 22,5 cm
- no. of pages: 224
- no. of illustrations: 97
- hardcover, silver gilded edges
- no. of edition: 1000
- essays by: Henning Knudsen, Associate Professor Emeritus of Mycology, Natural History Museum of Denmark; Søren Gosvig Olesen, Associate Professor in Philosophy, University of Copenhagen; Lars Kiel Bertelsen, Associate Professor in Art History, Aarhus University
- ISBN 978-87-998207-5-7
- price: € 40 – free shipping within Denmark
The tree, Old Tjikko, stands in a deserted landscape on a mountainside in Dalarna, Sweden, and is considered to be the oldest tree in the world with its impressive age of 9,600 years. A single photographic negative of this exceptional spruce has become the many different photographs in this book. By exposing the same image onto 97 different types of aged analogue light-sensitive photo papers – some dating back as far as the 1940’s – visual artist Nicolai Howalt has created a book, where the unpredictability of the long expired photographic papers has become an integral and dynamic part of each image.
The result is an almost organic diversity of perception and expression: 97 different variations of the same motif ranging from gloomy black to ethereal white. Images where the uncontrollable silver halides in the papers create sudden appearances of meteor showers or landscapes seemingly shrouded in dense fog. Questioning the constancy of the photographic image and pointing to the subtle and often overlooked effects of its materiality on our perception, it is as if these imperfections of aging in the papers reveal glimpses of a distant and different time. Dormant traces brought forth into the present by Howalt and the frozen millisecond of a recently captured photographic negative depicting a tree, which in itself stands as a living image of an almost incomprehensible timeline – the passing of millennia.
Mycologist Henning Knudsen, philosopher Søren Gosvig Olesen and art historian Lars Kiel Bertelsen contributes to the publication with three essays placing the work in the context of natural sciences and biology, the philosophy of perception and the history of photography.